Listen to Noon and pre-order CD and vinyl editions here. This marks the duo’s first collaboration since 2005’s Sixty Six Steps, and it is also Kottke’s first studio album of any kind since then. And it seems to meet somewhere in the middle.” ‘Cause he’s a Pachinko machine and I’m paint drying. It rings your bell, you play it into the ground and that will make something else happen. I’m always just farting around and eventually stumbling over something. “Mike likes to write a lot of stuff and then throw out the shit that doesn’t hold up the next day,” Kottke told AS. Kottke took the opportunity to elaborate on his and Gordon’s collaborative relationship. I just said, ‘We want you to do your thing.’” He has all these grooves that he’s working on constantly, that have all these patterns from all these different genres. “We have 2,000 concerts, etc., of telepathy. “Leo was really intrigued to get us together,” Gordon told American Songwriter. “Kottke is also longtime friends with Fishman and pushed for his inclusion,” read the piece. In the piece, Gordon and Kottke revealed that Phish drummer Jon Fishman played on a number of songs for the record. Kottke and Gordon discussed the new record and their collaboration with American Songwriter. The video sees Kottke delivering heartfelt vocals along with his guitar as Gordon provides the low-end bed on his Modulus bass. Yet another understatement for the Jimi Hendrix of the acoustic guitar.Mike Gordon & Leo Kottke have shared a new performance video, which showcases the duo performing The Byrds’ “Eight Miles High.” The cover appears as the second track on their recently-released album Noon. but it all worked with the guitar for me.” I wanted what the piano has, but without a piano. I played trombone, and then I tried to play piano. “I started out with the violin when I was very young,” he said. It’s been all about the guitar for Kottke, but it could have been very different, since it wasn’t his first choice of instruments. But we keep trying to get what we get when we’re face-to-face in a room.” “It’s friendship,” Kottke said when asked about his relationship with Gordon. The latter is a wonderfully idiosyncratic and funky album that features Kottke’s entertaining picking patterns and Gordon’s dexterity. album Check out all the SKILL In this video, Leo Kottke and Mike Gordon perform Eight Miles High from their 2020 album Noon. The amusing Kottke, adept at engaging the crowd, also has collaborated with Phish bassist Mike Gordon on three albums: 2002’s “Clone,” 2005’s “Sixty Six Steps” and 2020’s “Noon.” East of Eden, Lighthouse, Leo Kottke, Roxy Music, Ride, Stewart/Gaskin. So just enjoy it or you’ll start writing notes to yourself.” Eight Miles High is a song by the American rock band the Byrds, written by Gene Clark. Rickie can take your head off, without a note. Rickie has musical instincts that can take your head off, musically speaking. “Rickie Lee Jones added terror and inspiration. “I like that album, myself,” Kottke said. The album, produced by Rickee Lee Jones, features Kottke on the 12-string guitar, and the songs are humorous and haunting. His 1988 collection, “Regards from Chuck Pink,” is filled with clever folk and inventive guitar play.Īnd 1994’s aptly titled “Peculiaroso” is a masterpiece. His version of the Byrds’ “Eight Miles High” is gorgeous. His 1971 album, “Mudlark,” is a jaw-dropping display of his virtuosity. “It always had my back, so I paid attention.”Īnd Kottke has always been an adventurous player. “The guitar took me over for a long time,” he said. You will begin to receive our weekly Hoopla Events updates. During his early days, each song was filled with his vocals but he realized that his instrumentals were crowd pleasers. “If they haven’t heard me before, there’s a lot of guitar.”Ī typical understatement from Kottke, a guitar monster who at times sounds like a one-man band. “I never know (what will be played), except for the guitar and voice,” Kottke said. Who knows what Kottke’s set list will encompass, since the energetic bard has endless songs, thanks to his 23 album canon. Kottke, who will perform March 2, 2023, at the Englert Theatre in Iowa City, connects via his unconventional fingerpicking style, while easily veering from folk to blues to jazz. The Athens, Ga., native is an uncompromising original, from a city that also birthed such quirky and seminal artists as R.E.M., the B-52s and Vic Chestnutt. Kottke, 77, doesn’t let anything stand in his way. When I was little, I could follow one grain of sand in a wheel well. “But I remember what it was like when I could hear well. “I just keep moving on,” Kottke said from Minneapolis. Kottke can’t hear as well as he once did, but he doesn’t let that bother him. That’s considerable wear and tear, but Kottke continues on after battling tendinitis and tinnitus.
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